Anne Of Green Gables - article about Anne Of Green Gables

When you are a kid and you see your first black and white movie, you develop a sensibility for the comfort, the culture, and the quality of long-standing oldies but goodies. In the same respect, when you see as one of your first films or read as one of your first books �Anne of Green Gables,� you establish an understanding of and appreciation for the classics�that you nourish and develop your whole life�returning to visit �Anne of Green Gables� and getting that same blast of wonder and delight that you did the very first time.

Though I was a devoted reader who read about a book a day, my first experience with �Anne of Green Gables� was by way of the 1934 version. The whole concept of the lost, forlorn, and/or orphaned kid who is taken in was always a fascinating thing for me, and the premise of �Anne of Green Gables� was no exception: A farmer (Matthew Cuthbert, played by O.P. Heggie) and his sister (Marilla Cuthbert, played by Helen Westley) need a farmhand, and though they anticipate, of course, a boy, they willingly take in the orphaned Anne Shirley (played by Dawn O�Day�who changes her stage name to Anne Shirley after playing this role!). Anne, of Green Gables, is not precocious or vengeful or plagued with memories of abuse, but is instead a bright, attentive, curious young girl who goes through the very basest of cultural experiences�from praying to learning to take tea as an invited guest, etc.. She also �teaches� her new surrogates and their neighbors the delights of childlike ways, those which include for Anne of Green Gables imaginative, creative, day-dreamy and positive ways of thinking, doing, and being.

The book, Anne of Green Gables, by Lucy Maud Montgomery (who also wrote �Anne of Avonlea,� �Anne of the Island,� �Anne�s House of Dreams,� and �The Golden Road�), can be read in full on such literature sites as Literature.org or at Project Gutenberg. If you prefer to have your child see the movie, check out the �original� version, from 1934, directed by George Nichols, Jr, and with the screenplay adapted by Sam Mintz. Then you can branch out to the musical version of �Anne of Green Gables� (the 1956 TV version written by James Costigan and Donald Harron and directed by Donald Harron), or can even go to the silent filmic (and comedic) version made in 1919�directed by William Desmond Taylor and written, thankfully, by Lucy Maud Montgomery with Frances Marion.

Whichever way you go�film or lit�may you also feel the nostalgia of the childhood movies and books as they were first intended�to delight, to entertain, and to stay with us for whole lifetimes.

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